This is a new collagraph plate, it has driven me a bit mad translating the carved lines from my photo in Randwick Woods in Gloucestershire. Now the varnish must dry.
A kite in flight.
My latest work – Collagraph Print with a 24ct gold leaf sun. To buy online click here .
More about me here: https://linktr.ee/DianeYoung
See how the gold leaf changes with the light!
“To The Sun and Back” – Kite with 24ct gold leaf Sun.
Different angle showing how gold leaf changes in the light.
Close up – can you see the gold fleck in his eye!
These little collagraphs fit nicely in a 8 x 8 ins frame. All original work at affordable prices. Check out the link here
This is an original collagraph print made from a combination of my photo of Venacher Loch in the Trossachs placed as textures of the trees and the loch within in the form of a rutting stag. These beasts naturally inhabit both the Highlands and the North Lowlands of Scotland. We were there in 2017 visiting friends when we went to Venacher Loch for a walk and a lochside supper when I took the photo; such a serene and beautiful location.
My walk today was bright and dry and full of birdsong. The usual suspects showed up robins, blackbird, blue and coal tits.
Along with crows and wood pigeon, and a crow’s encounter with a low flying buzzard dipping sideways to shake the crow off his tail. Our local canal has a resident heron who is very used to people walking the tow path; he continued his fishing activities unfazed in this morning’s sunshine.
One of my favourite bird calls is that of the Goldcrest. They are very small, our smallest european bird, and usually situated very high up in conifer trees. You might see them from below if you are lucky, but then only their olive coloured underside, and unless you learn their call you would not know that they were there at all. Their call is high pitched, jingling sound, listen here to find out what it sounds like…..
The goldcrest is a tiny cute little bird that looks slightly glum don’t you think?
Image royalty free from pixabay
It is coincidental that a printmaker’s single colour choice is often prussian blue and that this happens to be one of my favourite painting colours. Keeping the inks simple is best for me at the moment whilst trying to get the shade via the texture right, as well as the consistency of the ink, the paper and the press! Prussian blue’s history is extremely varied; if you are mad about colour history there is plenty of very interesting facts about Prussian Blue here.