Diane Young Artist

Printmaker ~ Painter ~ Every Picture tells a story ~ Artwork ©Diane Young


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Commission for Ireland

It was lovely to receive an email from a customer who has received their commission by post today in Ireland.

“The painting has arrived and I am over the moon with it. So pleased. Thank you very much for painting such a great representation of Morgan and the circumstances of his arrival into our lives. You have captured the magic of the evening so well.”

The image has a number of ingredients requested by the client and ultimately the design was agreed upon before starting the painting stage.  A nice thing about this commission was there was no deadline.  This allowed me to think about the best composition using all the things that needed to be in the picture.  The scene was referenced using supplied photographs of the castle, grounds and Morgan himself. This was not a straight forward painting from a photograph perhaps as in a pet portrait, but more a design about an event which led to this dog, an English Pointer called Morgan having a much happier life.

Commission of an English Pointer painting with gold leaf by artist Diane Young of Manic Illustrations Stroud


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Commission

This weekend my focus is on painting a commission.  I am concentrating on this whilst dealing with an ear worm, an expression which does make me squirm somewhat.  I have been listening to the line about not messing with Major Tom from Bowie’s Ashes to Ashes track for several days now.  The painting is going well despite the interference! To my glee there is in fact a true story to this commission about a dog arriving at a castle one night at Christmas.

Below is cropped section of a painting which I did some years ago when I was putting together a children’s picture book idea.  I dug it out of my folder as like my current commission it is a night time scene.  This image was for a story about a jealous kingfisher who steals a peacock’s tail feathers whilst the peacock is sleeping.

I love storytelling whilst painting, whether it be a fully formed story or presenting narrative for possibilities that the imagination can cast from before or after the moment in the painting itself.  Here is a visual excerpt from the Tiny Tale Of Kingfisher.

Childrens books painting by artist Diane Young


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More Lost Things – The Stopwatch

Just a few tiny details to add and my Barn Owl will be completed.

This is another image for my series of Lost Things (along with the Lost Pearl and the Golden Bell) and a continuing theme of gold leaf moons. The captivating Barn Owl.  Both feared and venerated throughout history and a variety of cultures the owl has been associated with both evil and wisdom.  Thankfully superstitions such as its association with witches have died away and we can count ourselves lucky if we manage to enjoy a glimpse of this fascinating night time hunter.

Read more about my story for this image here.

Painting of a barn owl by artist Diane Young of Manic Illustrations

 

 


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Ibis in Gold

To compliment my recent Elephant in Red and Gold here is the Ibis. The Nile was central to Ancient Egyptian life and religion.  The Egyptians of old believed that souls of the dead were transported across the Nile to reach the afterlife in the presence of Thoth the god of knowledge, who was represented as the Ibis bird.

Painting of an Ibis representing Thoth in Greek mythology with a gold moon by artist Diane Young

The Ibis is of ancient evolutionary origin, its fossil records going back some 60 million years.  Carvings of the Ibis can be found on many Egyptian monuments; they were also mummified and buried in the temples with pharaohs.

 

 

 


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Red and Gold

Red and Gold are a favourite combination of mine, as are the colours Prussian Blue, Ultramarine and Alizarin Crimson.  Red, Gold and Blue shine out from traditional Egyptian wall paintings,  paintings from the renaissance, and religious paintings. Many colours are featured in the decorating of elephants for festivals yet I have been drawn to the deep blues, reds and gold so often used, and now echoing the colours of the recent Christmas period now nearly over.

My next Travelling Animal is an elephant.  A revisitation to research I did for a picture of Harvey the Aardvark on his adventures with decorated elephants in the desert.

Embellished with gold leaf, and decorated with a hint of African textile patterns this elephant carries a crane feather.

Decorated Elephant painting with Gold Leaf by Stroud artist Diane Young

Elephants are symbols of wisdom and strength and revered by African cultures. The crane (bird) is also known for its longevity, its lifespan similar to the African elephant some 40-60 years. The crane is also associated with wisdom and loyalty, and folklore has extended its lifespan to 1000 years.

I have combined these two animal symbols to encompass wisdom and power with loyalty.  This has enabled me to show the gentle nature of the elephant delicately carrying the feather of a crane.

We have yet to find out where he is going…….


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Dog portrait slightly undercooked

You might be asking yourself what has cooking got to do with art?

Paintings can so easily have a little too much time on them becoming overworked and a little laboured. I thought a good analogy might be the outcome of cooking a Victoria Sponge cake .

If you slightly over cook  one of these cakes it smells slightly over-cooked when it comes out of the  oven, it is slightly over-coloured with a bit of a crisp edge on the outside  edges and it loses some of its subtle cakey fragrance to a more caramelised finish (to be polite). But if you slightly undercook it,  it will be moist and tasty, has a full buttery flavour,  and on the downside it might lack a little colour.  Which is best?  Definitely the latter for the tastiest cake.

Catching the cake at it’s optimum moment is possible with practice but there is little variation from one cake to the next so eventually a plan for timing and temperature will make it perfect.  Obviously this is very different to the variations that are possible from one painting to the next.  But the idea of relating over-cooking and under-cooking a sponge cake to painting is purely for the reason that stopping a  bit before the optimum moment will allow a painting to look more vibrant, spontaneous, and more intuitive rather than laboured and probably a bit muddied.   It might not be perfect but it is likely to be a better finish.  Just like the cake.

Trying to under-worA  painting of a dog portrait by artist Diane Youngk  a painting is soooooo hard by comparison to overworking. Over-cooking or overworking it is easy.  It is easy for me to see bits of my paintings that might be improved and therefore I could keep picking at it. So today I am trying very hard to  not do any more to this painting of a Springer Spaniel.

What could be done to try to prevent getting to the over-painting stage? I wonder if in the back of my mind I think people who look at this picture might find fault for me not “tidying ” everything up,  and somehow I have to let go of this idea at an opportune moment.  Perhaps the questions I should be asking myself are:  How happy am I about the painting?  Can I get away with finishing it at this moment?

I am tempted to keep going on this painting, but I think I might get away with stopping right now. So hands off,  let’s clean the brushes and here is Fred smiling.

 


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Painting, not Cut-Outs for Me.

Despite the fact that I live in a smallish town in the Cotswolds UK there is a significant population of artists.  I nearly said thriving artists.  They are thriving as far as their art might be concerned but I doubt that they are thriving as far as their contribution to their cost of living. There just has to be another job in the mix to enable most artists to “indulge” themselves their creativity.   I digress…..

Matisse Lithograph Painting of flowers

Stroud in the Cotswold Hills (UK) is a town of artists and creativity, music and alternative therapies, alternative remedies and alternative people.  We have Open Art Studios in May and festivals of Music in the Summer and all sorts in between.  Our Museum is the best ever for a small town, and within the same building is an exibition room which celebrates art of all varieties.  We are lucky enough that the  local Museum is  currently hosting a selection of art from Matisse.  Cut-outs (collage shapes cut with a scissors) was Matisse’ form of art which he made during the 1950’s.  

Art exhibition Matisse Cut outs

Matisse Lithograph

To be honest, this work which must have been quite a revelation in that era does not do alot for me.  But it must have been quite a development for that time and the evolution of different creative expressions have enabled us to have the freedom to create across all sorts of media and mix them up too,  the ultimate in this being Mixed Media.

Still, even if Matisse is not your bag it is good to be in the presence of original art and have feelings toward different styles and media from the art world.   You might want to buy only what you like, but witnessing and processing what art history and contemporary art has to offer will help develop your own view about your art and your art process and where it sits on the spectrum of creative expression.

My artist friend here is using her creative expression to mimic the art!

Exhibition of Artist Matisse Cut Outs


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Elephants and Mice

 

The Elephant and the Mouse

Evidence seems to suggest that elephants do not like small animals running frantically around their feet particularly as they cannot see them properly. Naturally in the wild quick moving small animals like snakes are a danger and so elephants would try to get away from them as quickly as they could.   This may be  the reason that elephants appear to be afraid of mice.

Fable featuring a mouse and an elephant

An ancient fable tells the story of a duel between an elephant and a mouse for the position of king among the animals.  The elephant sat and laughed at the mouse until the mouse climbed into his ear (or in another story his trunk) and nipped him hard and drove him mad until the elephant ultimately admitted defeat.

I like my elephant and mouse to be friends, so here they are.

 


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Horse Paintings

Drawing Horses

Black Beauty

Remember these guys…..?  Black Beauty himself and the cast from the TV Series from the 1970’s.

As a child I would draBlack Beauty and Main Cast from Seriesw horses all the time.

I was completely mad about them.

I knew all sorts of facts about horses, their kit, how to keep them, their breeds and colours.  But there was no chance of owning one myself or of even being taught to ride.  Instead I read a lot of horse books from the library and drew them prolifically.

Champion The Wonder Horse

Champion the Wonder Horse, White Horses, Follyfoot and Black Beauty were among my favourite TV programmes.  I bought the Black Beauty LP and used to play it on our old single deck before I went to school.  I even made up words to the theme tune,  I was too embarrassed to sing them in front of my friend so I did so from behind the toilet cubicle door at school.  Strange days.

Horse Paintings

Today I started a new set of ACEOs with a Horse theme, here are the first two.

Dapples & Tassels, and Feathers & Forelocks.

.Dapples and Tassels Horse ACEO painting by Diane YoungHorse Feathers and Forelocks Painting by Diane Young


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A Painting for a Wedding – The Owl and the Pussy Cat

I had an enquiry a few days ago from a lady in California who had been searching for a wedding present for a friend and had come across the painting of mine of the Owl and The Pussy Cat Dancing.

Owl and Pussy Cat by Diane YoungThis is the second time for me that this image had been associated with weddings, strangely I had never gave it a thought when I designed the scene last year.  It all seems obvious now, after all there is love, a ring and a wedding described in Edward Lear’s narrative.

I came across articles about some couples’ desire to have the poem read out at their weddings but in some instances were concerned about the word “pussy” and the number of times this word would be read out and whether nudges, winks, snorts and sniggers might be set off amongst the wedding party.

Those that went ahead with the Owl and Pussycat “theme” at their wedding would have small pots of honey and quince and gold wrapped chocolate coins and so on amongst the decorations of the day.  Perhaps they would drive off in a pea green boat.  If you had a real sense of humour I fancy a cat tail from out of the wedding dress and maybe a few feathers for the groom would not go amiss!

And sadly as does happen with some enquiries even though they appear to be a dead cert, the lady interested in my painting backed out even though I kept her informed daily of the making of a mount, sorting out packing and postage costs and so on.  Apparently the recipient of the gift had changed her mind, and she signed off the email by  thanking me for understanding 😦

Oh, and then suddenly I found out a print had sold off Etsy!  So there you go that teaches me a lesson about the way I market my work in terms of originals and prints!