A sheep from the Trossach’s which does not actually belong to Penny but does wander around her garden and Cottage Holiday Let as it is open to the farmer’s field.

A sheep from the Trossach’s which does not actually belong to Penny but does wander around her garden and Cottage Holiday Let as it is open to the farmer’s field.

When it has made it to the bin? Hopefully not.
I have ready many tips on this and this one sums it up in a great way for me.
Artist Bryan Evans states in The Artist that
“…a painting is finished when it’s not as good as it just was, and is unlikely to get any better.”
Easy to say;, but hard to (cockadoodle) do!

Having visited Scotland last year I have seen Highland Cattle in fields in their native country, yet my own photos of Highland Cows are taken very near my home in the Cotswolds where they roam free over hundreds of acres of natural land during the summer months.
Sometimes they just stand on the road and the traffic have to wait for them to move. I love that these cows are extremely docile and have characterful & steadfast faces.
A helpful way to review tonal variation in a painting is to take a black and white photo. If you are struggling with a painting and cannot quite figure out h
ow to fix it a quick snapshot can point out problems in this area. My black and white photo here shows a good range of darks through to white. There was just a bit of light shadow to add to the face to finish.

….thanks to Boondockers Farm in Oregon for permission to use their photo. These pigs were imported to the US during the 1900’s for breeding. “British folklore claims the large black spots are bruises caused by the apples falling onto them as they foraged the orchard floors for food.”
This painting was on cartridge paper which is not as satisfying a using watercolour paper. Still it was good to test out the shapes, colour and composition.

Animal Art available by Diane Young of Manic Illustrations!

Nosey Sheep

Nosey Highland Cow

Nosey Horse

From this sketch;
To the Painting Below.
The Whale and The Golden Moon
with a little gold leaf.

This rather elitist and arty sounding word “juxtapositon” has become a bit more popular in recent times. When I first heard this word out loud it was in the context of some conceptual art TV programme it sounded a bit niche (and way beyond me), somewhat highfalutin and perhaps unnecessary? Since then if ever I have heard it used in every day speak it does sound a bit pretentious. But in reality the word does a good job of what it describes:
And so here is my Llama Juxtaposition – a photo taken recently in a field on a hill (hence the slant) near my home, not strictly the way to use this word but where I might just about get away with it.
